the cake of the culture, the crumbs of defiance
“The moment of queer pride is a refusal to be shamed by witnessing the other as being ashamed of you,” Maggie Nelson writes in The Argonauts, a book I’m consuming in grateful gulps. Beyond the Absolut Vodka float and bronzed dancing boys in West Hollywood—beyond the bounce house at Dyke Day—this is what Pride is about. I came out slowly and anticlimactically somewhere around 2000; I’d already been following Rent around the Western United States for three years, so I thought I was plenty proud. Proud enough to roll my eyes at the commercialization of it all, proud enough to have sincere conversations about the downside of assimilation. On one level, embracing the rave-hued, raised-fist anthems of Rent was an act of defiance of my conservative (though not homophobic per se) upbringing, but it was also Broadway, and I’d never personally been harassed or shamed. Read this book! I didn’t come out, even to myself, until I was sure it was cool to do so. Not just not-dangerous, bu