Bread and Bread

1. the tired ones I was on my way to the ATM when I saw Tara.* She was camped out on the sidewalk next to the bus lot, and if I didn’t know her, I would have walked right by her, the way I do most of Chinatown’s street-corner characters. Someone had brought her a cup of water and a takeout box of food from the café, and someone had given her a black and white umbrella, which she shifted from side to side as she talked. It shielded about half her body from the sun. She talked rapidly but lucidly. She seemed annoyed at having to reside in her body. She was dressed as she always was, in black track shorts and a black tank top that showed the marks on her skin. From what? I’m not sure. From a hard life, I guess. Her hair was short and neat, graying at the temples. Skin shiny in the sun. “I’ve tried to die so many times,” she said. “Why won’t God just let me go? I’m so tired. I was supposed to die three times.” A few weeks ago, she’d been doing okay, coming to Homeboy’s

1991*: “Housequake” Every afternoon for a week, my mom drives me and my friends from our junior high across town to the high school, where the incoming drill team captains teach a gym full of eighth graders a routine that begins with the words “Shut up already, damn!” This is my introduction to Prince. I buy Sign O’ the Times on cassette at the mall so I can practice. The song is fast and frenetic. I am slow and awkward and—despite going over the choreography every night until bedtime—I don’t make the squad. I am devastated in a way that frightens my parents. I literally howl in despair, pounding my fists into the bed. It doesn’t help that my best friends, who were kind of meh about the whole prospect, make the cut. I won’t experience this exact mix of grief, envy and awareness of failure (my own and that of the meritocracy I once believed in) until I’m in my thirties and all my friends start having babies, even the ones who were kind of meh about it. If you know how