shallow but vast

"What is time, even" is a thing I say a lot lately, but I'm pretty sure all of these things happened since last Wednesday. In chronological order:

  • My friend Holly found out she has a brain tumor.
  • After a lot of radio silence on the adoption front, followed by a lot of paperwork and fees as we try to crack the silence, an expectant mom in San Diego told an attorney in Temecula that she wanted a same-sex couple from California to adopt her baby. Then she decided she wanted a same-sex male couple to adopt her baby.
  • We met Ignacio, new baby of Alberto and Gracia, and he is small and beautiful with a lot of silky dark hair and an elfin nose. 
  • Dash told me, "It's not fair that J&J are sisters and I don't have no one to play with. That's why I want a baby." (He also told me he has no toys.)
  • My Grandma Jac died yesterday at the age of 91, her dog Zoe curled next to her on the bed.
  • Roadie brought a baby sparrow into the house and it seemed like we might be able to save it, and we woke to discover that we didn't.

This post is mostly about Grandma Jac, because I need to write to make myself believe that a person I haven't seen in a year is not alive. The parts about Holly and adoption are here, my central narrative, the darkness and the hope swirling around me. There's more cause for hope than not, but sometimes I climb into the pit inside myself, where there are all-caps signs posted on the slimy pit walls announcing that the world is divided into winners and losers and guess which I am, and I must be dragging people I love down here with me.  

Just hanging on
Sebastian Herrmann on Unsplash

Jac was the subject of the first creative nonfiction I ever wrote. When I was in middle school and high school, we'd periodically be asked to write about our families, and I found my immediate family incredibly boring (they worked so hard to create my boring childhood, and I had no appreciation), but everyone, my parents included, assured me that Jac was The Interesting One.

She was born during the Depression, but I think her family did okay. Recently I told my dad that her dad drove a Helms Bakery truck, and he thought he did something else, and now I won't get to ask her. She went to college at Pepperdine, at a time when women usually didn't, and had Black friends at a time when white people usually didn't. She was 19, I think, when she met her husband Gordon. He was older and an archeologist or an anthropologist, something professorial that caused him to fill their house with the artifacts that punctuated my childhood, though I never met Gordon himself. Pottery shards arranged in a mosaic in the kitchen. Animal skulls that made their office feel like a true den. He was an alcoholic and the kind of man who expected his wife to earn money while he got degree after degree, only to look down on her for not being an intellectual. Eventually he moved to the Southwest and became a painter and killed himself late in life. 

When I came into the story, Jac was married to Al, a big, good-natured man who was missing the tops of his first two fingers. He adored Jac and gave her jewelry at their holiday parties, which my mom always thought was a little showy, but it fit them both. At one point they almost divorced, but then they didn't. He died after a stroke back in the early 2000s and Jac never stopped missing him. 

Jac lived at the top of a hill in Torrance, at the very southern tip of Crenshaw, nestled between Palos Verdes horse country and the liquor stores of Lomita. It was your basic 1950s tract house, but she painted it a deep olive green and installed a cactus garden years before people talked about drought-resistant landscaping and painted the windows of her enclosed patio to look like Frank Lloyd Wright's stained glass. 

When I think about Jac, she is as much of a place as a person for me. She filled her house with family, friends, and stray humans every Christmas, Easter, Thanksgiving, Mother's Day, and Father's Day. One day someone told her "You'd celebrate Groundhog's Day if you could," and so she did. Somewhere in the carousels of slides at my dad's house is a picture of a groundhog sculpted out of hamburger meat, with an apple in its mouth.

I'm always trying to figure out who's the cricket in this story
Isabelle Sanchez-Chapman on Unsplash

My dad started going up there with his childhood friend Bob as a teenager. Bob was an old-school flamboyant gay and so of course he needed an eccentric older woman for a friend. And then my dad brought my mom and they brought me and my sister. All my grandparents were dead by the time I was four, and so even though she was only thirteen years older than my parents, Jac became my grandma. 

I thought she was my grandma, but later I realized we were strays she'd collected, not so different from the guy from the hardware store she might invite up for Easter. She always told people, "This family is like the mafia. Once you're in, you can't get out." Her daughter's ex-husband had a permanent place at the long stone benches on her back patio, with his second wife and her daughter. But she stopped speaking to her own brother decades before and I never really knew why.

She was forgiving and open-hearted and progressive, loving and caring for Bob's friends through AIDS, and also gossipy and judgmental. My mom always joked that she didn't want to be the first to leave one of Jac's gatherings because then everyone would talk about her. My mom and my sister and I were three introverts in the corner, flipping through Jac's issues of The National Enquirer (she subscribed as a joke) and her copies of Dr. Laura's books, which may or may not have been a joke. When I think about what I miss about Jac's, that's half of it. Being in a corner with my mom and sister while my awkward-but-outgoing dad made the rounds in the only real social circle he's ever had.

Jac was a bit of a foul-weather friend. If you needed someone to bail you out of jail or pay for an abortion, as my cousin sometimes did, she was your gal. If you wanted her to come to your high school graduation, as my sister did, well, she had a dentist appointment that day.

She told a lot of colorful stories about her days as unofficial den mother to all the kids on the hill. She was a bit of a prankster; she once drove to Gordon's house long after their divorce just to show up on his doorstep as a trick-or-treater. I knew her in her storytelling years, not her story-making years. I knew her house as the place of egg hunts and grand buffets spread out on her kitchen counter, cheesy potatoes and green bean casseroles alongside Peruvian recipes and vegetarian dishes made especially for me and my sister. 

There was a time when I gorged myself on her holiday food, and considered holidays at her house some sort of pinnacle, a chance to show off whatever teenage identity I was trying on—wannabe punk, fag hag, etc.—but later, I think her taste buds failed her and the food started to seem suspect. My tastes changed too. She never really asked me questions about myself; she was too busy bustling about being hostess, and I didn't make an effort to change that dynamic.

I called Jac early in lockdown, because we'd been advised to Check On Our Old People, and I told her, just in passing, just quickly, that there had been a baby who'd stayed with us for two weeks before his parents took him back. She said something like "Oh, that's nice," and I chalked it up to her being hard of hearing, but I also wondered if she wasn't listening in a different sense. I'll give her the benefit of the doubt, but the fact that it could go either way says something.

I worry for my dad, who has never had many friends to spare, and has already lost a few this year. It feels like the end of an era, and that's something to mourn even if I can't quite feel the shape and depth of my personal mourning yet. Maybe it's shallow but vast, a thin membrane spread over everything.

Midway through writing this, Dash told me, "I think the bird is alive. I heard a tweet!" 

"Oh, I think that's coming from outside, but we can look," I said. Looking at a dead bird before heading off to school was some kind of closure, I supposed.

We went in the office, where we'd made a nest for the sparrow in the cat carrier of all places. Dash had named the bird Benjamin Kasi, after someone on YouTube and a giraffe we met at the Living Desert Zoo earlier in the year. 

Benjamin Kasi stood there, round and fluffed up, looking at us. Very still, with very open eyes. Probably alive, contrary to AK's early morning report. And then Benjamin Kasi turned his head and let out a chirp. 

It's not Benjamin Kasi's job to symbolize hope and resurrection—it's his job to heal and eat bugs—but I'll take this narrative and run with it.

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