if he could see them now
Here's what had AK and I geeking out Friday night:
Who knew that white ladies in bell-bottoms were krumping waaay back in the day? "Bob Fosse was always at least 20 years ahead of his time," I said to Jamie as we were watching this video today.
"Yeah," she said, "but he probably stole those moves from a jazz club somewhere."
Dance is always references within references within references. And damn, the result looks good.
Who knew that white ladies in bell-bottoms were krumping waaay back in the day? "Bob Fosse was always at least 20 years ahead of his time," I said to Jamie as we were watching this video today.
"Yeah," she said, "but he probably stole those moves from a jazz club somewhere."
Dance is always references within references within references. And damn, the result looks good.
Comments
Also, I feel reassured for that brief window of time I was tempted to learn those moves because of this version.
Go ON with your nerdy self, TL - Fosse's work is timeless!
I also love Fosse's work because he was not afraid to use aging dancers, the dreaded identity I have been living in for the past few years, LOL
TL: Great people, all. Ann Reinking was responsible for getting Chicago back on Broadway, right? I loved that revival.
PV: I like Bill T. Jones for the same reason--he uses dancers with a lot of different body types too.