Last night AK and I binge-watched the first three episodes of Friends from College, a Netflix comedy starring Keegan-Michael Key, Fred Savage, and Annie Parisse as, well, friends from college whose lives get re-intertwined when they all end up in New York. Keegan-Michael Key is Ethan, a literary novelist in search of commercial success. Fred Savage is his agent. Annie Parisse is the woman he’s been casually hooking up with on out-of-town visits for twenty years, despite being married to another college friend, Lisa (Cobie Smulders). The show is clever and real, despite some loopy plotlines (replacing a dead bunny, writing while high, etc.). I enjoyed many literal lols, like when the group tries to figure out whether Marianne’s (Jae Suh Park) experimental, cross-gender production of Streetcar has started or not.
|Having a creative crisis in a very spacious apartment.|
|Don't underestimate Marianne or her bunny.|
And now he’s a super successful literary agent with a doctor husband (a deadpan Billy Eichner) and an immense New York apartment. Damn you, Fred Savage, must you haunt my whole life? Why must you always be three degrees cooler than I am, even when you are not playing anyone particularly cool?
|Ethan has "won a bunch of literary prizes no one has heard of." I would take that!|
It seems like I was just writing about leaving Poets & Writers for Homeboy Industries, but in fact it’s been almost four years. An entire college education, complete with amazing teachers, hard lessons and unforgettable friends. As I told Fr. Greg, Homeboy has redrawn the shape of my heart for the better.
It’s a frenetic, beautiful, fascinating, rare place to work. It is a privilege. It’s also really hard at times, especially during the moments when I didn’t have the mentors I needed. Now I have Ed, who is a sweetheart and an incredible mentor. He and a handful of others helped me see I might actually have something to say; that despite my continued belief that savvy implementers and independent thinkers are every bit as important as leaders, I might want to actually, um, lead.
|Nerd alert: I have nonprofit crushes.|
Heading up fundraising for a small-but-not-tiny organization is mildly terrifying to me, which is where imposter syndrome comes in. As I waited to hear back about the job, I kept picturing my hypothetical competition. She would have a ton of experience with major donors. She would be fluent in Spanish and a snappy dresser.
|You can see how I envied these smooth operators.|
Homeboy tries to help homies see that they are not the worst story they’ve heard about themselves (one undoubtedly told first by a parent, reinforced by legal and educational systems, and most damagingly repeated by themselves). So I try to take that to heart. The voices in my head say I’m over-privileged, lazy, selfish, trauma-scarred, destined for failure or at least mediocrity, and undeserving of most of the many good things that have happened to me.
It would be easy to channel those insecurities into a belief that nowhere besides Homeboy, my beloved Island of Misfit Toys, would put up with me. It’s the same thinking that causes trainees to relapse during the 17th month of an 18-month program. It’s the job of those of us who love damaged people to help them see beyond us. (Dar Williams has a song about it, where she says The farther you go, the closer you are to me.)
I landed at Homeboy breathless from four years of trauma, and it was hard for me to believe that there would be a post-post-traumatic period, but I think I’m entering it. Which is to say I am still a little jumpy, but I have a renewed faith in the sun’s likelihood of rising the next day. I am willing to consider that I am not destined to be a lifelong drama queen, even though I will never again be the straight-A student on a steady upward march. I’m looking for that third thing. That third or fourth self.
|Ooh, she's got a point.|
Mine is flowing west down Sunset to Echo Park, site of my next wonder years.